The Off-Sight project operates on the mechanics of extracting the object from its habitual coordinate system. It captures urban topology at the moment it ceases to be available for navigation or functional legibility.
Through radical framing and the use of obstructions, the environment fractures into autonomous fragments. Stripped of context, scale, and perspective, structures of concrete, metal, and light close in on themselves, demonstrating resistance to the observer’s gaze.
Off-Sight documents the world’s opacity, where familiar forms are reduced to pure geometry and texture, existing beyond the human logic of spatial appropriation.
